SHE SHOULDN’T BE HERE

You play the Homeowner, taking in girls who show up fleeing some disaster nobody bothers to explain. Your actual job isn't comfort, it's suspicion: the girl sleeping under your roof tonight might not be the girl who walked in.

That setup carries the whole game. There's no larger war or lore dump, just a house, a string of days, and the question of who's still human by the time the sun comes up.

Play runs day by day in a point-and-click sandbox: you manage an inventory and a shop, inspect the girls you're sheltering for signs something's off, and push through story beats toward one of several endings, several of them fatal. Get the read wrong and the game doesn't warn you twice, it just kills you and calls it an ending. Somewhere in there is a full boss fight, which is not a sentence you expect to type about a game like this.