KingBreaker

Framed for a murder he didn't commit and left with nothing, a sword-for-hire walks a straight line toward the people who ruined him. There's no lightness to hide behind here, just a grudge and the means to settle it.

Revenge is the engine, but it runs through choices that actually redirect things: who you trust, who you bed, what you're willing to uncover about the people who framed you. Alliances and romance aren't side content bolted onto a plot, they're how the plot gets pushed forward.

You move between a hub of decisions and the fallout they cause, picking through a small cast of women along the way while the truth behind the accusation gets pieced together at your own pace. The sandbox structure means you choose the order you chase things in, not whether you chase them.