One for All

Four years together, and Charity still won't go past kissing, holding out for marriage while Adam gets more frustrated by the month. When he talks her into a late-night movie at some out-of-the-way theater, it's obvious to everyone but her that this isn't about the film.

The theater turns out to be nearly empty and not the kind that plays regular showings. What starts as Adam pushing his own girlfriend toward sex curdles fast into something she never agreed to, with other people in the room more than willing to join in once she stops being able to say no.

There's no branching here, no choices to soften or steer what happens. It's a straight read through one bad night, structured to move in a single direction with the outcome already decided before Charity walks in.